By Paula Berinstein
Tale advisor and Writing convey host Paula B. provides an annotated checklist of forty two universal blunders she sees forever. Divided into characters, constitution, reader engagement, the marketplace, and mechanics, the thing deals every thing from the Tease--the author who will get readers all excited yet does not stick with via, to the Bleeding Heart--the author who will not "murder his darlings."
About 7000 phrases.
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The second sentence uses the simple perfect "showed" where the past perfect "had shown" belongs. The time of the scene is the point at which Sookie is looking at the walls. The time when the movie vampires showed their fangs took place before that, and is over and done with. Therefore, use the past perfect "had," in speaking about what the movie vampires did on the silver screen. If you can't tell whether you've got your tenses right, try reading your sentences out loud. Sometimes you can hear what you can't see.
The Blur. Your writing is vague. Specificity is the key to style. The choices you make about what to describe, which words to use, and what to say about it determine your voice and make or break your effectiveness as a writer. What's a more effective sentence: "His jacket was torn" or "The expensive black North Face parka his grandmother had given him for Christmas was torn just under the armhole"? The second variation tells us a lot more about the character and situation than the first. It's also more fun to read and easier to imagine.
You don't introduce a sense of urgency and quicken the pace. The midpoint of your story should change everything in the same way your catalyst should change everything. By the time you're halfway through your story, your protagonist can't be fooling around and avoiding his problems. The danger should be bearing down on him, and he must confront it or something bad will happen--soon. The action should move faster and faster as the danger increases and reach its peak when the hero fights the antagonist at the climax of the story.
42 Common Mistakes Novelists Make by Paula Berinstein
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